AIO LED Display | All-in-One Conference LED Screens
Looking for an AIO LED display for your conference room? Explore Linsn all-in-one LED screens with easy setup, wireless mirroring, and flexible lift-and-fold design.
Linsn stage LED screens support high definition, high contrast ratio, wide grayscale, and strong protection ability!
Why are more event producers switching to LED screens for stage shows? The difference is clear:
(1) Better ROI — Minimal maintenance, 100,000+ hour lifespan, and reusable across every event.
(2) Full creative control — Display live video, branded visuals, or immersive backdrops. A large LED screen on stage gives you a live canvas, not just light.
(3) Fits any stage — Modular cabinets assemble into any size or shape. No custom fabrication, no compromises.
(4) Fast to set up — Lightweight, stackable panels. A small crew can get a big LED screen for stage ready in hours, not days.
(1) Immersive visuals for every seat
A large LED screen for stage shows makes sure every audience member — front row or back — gets the full experience. Stunning visuals sync with the music in real time, turning a good concert into an unforgettable one.
(2) Smooth, lag-free playback
Modern LED control systems respond instantly, so live camera feeds, animations, and lighting effects all run without a hitch. No stuttering, no delays — just a clean, professional show.
(1) Everyone sees the content clearly
LED screens make sure your slides, videos, and demos are visible to every attendee in the room — no more squinting from the back row or gathering around a laptop. Whether it’s a 50-person training or a 500-seat conference, the content lands the same way for everyone.
(2) Keep the audience focused
A well-placed LED screen on stage keeps energy up during long sessions. Dynamic visuals hold attention far better than a static projector screen ever could. That’s the difference between a room that’s engaged and one that’s checking phones.
(1) Show your product at its best
High-resolution LED displays bring out details that physical samples simply can’t convey — colors, textures, motion demos, and brand storytelling all in one screen. When attendees can see exactly what they’re buying, conversations move faster and deals close sooner.
(2) Stand out on a busy show floor
A bright, vivid LED backdrop is visible from across the hall. It draws people in before they’ve even read your booth name. At a trade show where every booth is competing for the same attention, that first impression is everything.
(1) Built for fast-paced action
Gaming content moves fast. High refresh rate LED screens keep up with every frame, so the action on screen matches what’s happening in the game — smooth, sharp, and responsive.
(2) An arena-worthy viewing experience
Whether it’s a local tournament or a global livestream, LED screens for stage shows create a dramatic visual atmosphere that makes competitions feel like major events.
Every seat filled. Every sponsor happy. Every show remembered.
Most event organizers struggle to find a stage LED screen that hits the right balance — great visuals, reasonable price, reliable supplier. This guide cuts through the noise.
We cover screen sizing, pixel pitch, pricing, rental vs. purchase, and how to place your first order — everything you need to get your stage LED screen project off the ground.
A stage LED screen is a large-format display built specifically for live events — concerts, corporate conferences, trade shows, and e-sports tournaments. Unlike a regular TV or projector, it’s made from modular LED cabinets that lock together, so you can build any size or shape to fit the stage.
The panels are bright enough to stay visible under heavy stage lighting, and the fast refresh rates keep video and live feeds looking sharp with zero flicker. Whether it’s a 3-meter backdrop or a 20-meter curved wall, the image stays consistent edge to edge.
For event organizers and rental companies, stage LED screens are the backbone of the visual setup — the difference between a show that looks professional and one that doesn’t.
See It in Action！Take Fantasea, Phuket’s most visited theme park, as a real example.
Every night their theater runs full-scale productions — dancing, acrobatics, magic, and live animal performances for an international audience. Linsn supplied a 1,000 sqm stage background LED screen that handles it all: vivid playback, easy installation, and reliable performance show after show.
Switching to a stage LED screen isn’t just an upgrade — it changes what your events are capable of. Here are five reasons why event organizers and rental companies keep coming back to LED.
(1) Any size, any shape
Stage LED screens are modular — cabinets lock together to build whatever dimensions your stage demands. A 4m backdrop for a corporate event, a 30m curved wall for a stadium concert, or an asymmetric shape for a creative installation. No size constraints, no compromises.
(2) Visible in any lighting condition
High brightness and wide contrast ratio keep the image sharp and vivid whether you’re under full stage lighting or in direct sunlight. No washed-out visuals, no squinting from the audience.
Linsn P5 Stage LED Display to Portugal with high-quality visual performance
(3) Multiple revenue streams
Sell sponsor logo placements directly on screen, run ad content between sets, or charge premium for front-row seats with the best view of the display. A stage LED screen pays for itself faster than most event investments.
(4) Low maintenance, easy servicing
Front-serviceable panels mean technicians can swap out a module from the front without dismantling the whole structure. For touring productions and rental fleets, that’s hours saved per event.
(5) Built for live content
High refresh rates eliminate flicker on camera, making stage LED screens ideal for broadcasts and live streams — not just in-person audiences. One screen serves the venue and the online audience at the same time.
Not every stage is the same, and neither is every LED screen. The right type depends on your venue, your content, and how the screen fits into the overall stage design. Here’s a breakdown of the most common options.
The most widely used configuration is a flat, full-width screen mounted behind the performers. It works for concerts, corporate events, and trade shows alike, giving the audience a clear, unobstructed view of visuals, branding, or live camera feeds.
Positioned on either side of the main stage, side fill screens extend the visual experience to audience members seated at wide angles. They typically mirror the main backdrop or display supplementary content like close-up shots of the performer.
Installed flat on the stage surface, floor screens add a dramatic visual dimension beneath performers’ feet. Built with reinforced panels to handle foot traffic and equipment weight, they’re popular in high-production concerts and fashion shows.
Cabinets can be angled inward or outward to create concave or convex curves. Curved configurations wrap around the stage, creating a more immersive environment and improving sightlines for audiences seated at the sides.
Suspended from rigging above the stage, hanging screens are common in large arenas where floor and wall space is limited. They give every section of the audience a direct line of sight without obstructing the stage itself.
A see-through LED panel that lets light and visuals coexist. Often used as a foreground layer in front of performers or set pieces, creating a layered, holographic-style effect without blocking the stage entirely.
There’s no one-size-fits-all answer when it comes to selecting a stage LED screen. The right choice depends on your venue, your audience, and your budget. Work through these key decisions, and you’ll have a clear spec before you ever talk to a supplier.
Linsn Gigantic LED Screen for Stage to Thailand
(1) Start with screen size
The golden rule: your screen height should be 1/6 to 1/10 of the distance from the screen to the last row of the audience. If the back row is 30 meters away, aim for a screen height between 3 and 5 meters. Get this wrong and half your audience is squinting — get it right and everyone’s engaged.
(2) Choose the right aspect ratio
16:9 is the standard for stage LED screens and works with virtually all video content, presentations, and live feeds. Stick with it unless your stage design calls for something specific — a wide panoramic banner or a vertical side fill, for example.
(3) Match pixel pitch to viewing distance
Closer audiences need a smaller pixel pitch for a sharp image. Further away, you can go larger without any visible difference — and save significantly on cost. A good rule of thumb: share your viewing distance with your supplier and let the numbers guide the decision.
(4) Decide on the installation method
How the screen sits on your stage affects everything from setup time to sightlines. Common options include hanging from rigging, ground-stacked on a base frame, wall-mounted, or ceiling-suspended. Each suits different venue types — what matters is that the structure is stable and doesn’t block any part of the audience’s view.
(5) Factor in your lighting environment
A screen that looks stunning in a dim concert hall may wash out under bright exhibition lighting. Match your screen’s brightness spec to the environment it’ll actually run in. For outdoor or brightly lit stages, prioritize high-nit panels.
(6) Pick the right cabinet material
Die-cast aluminum cabinets are lightweight, flat, and resistant to rust — the go-to choice for touring and rental use where weight and setup speed matter. Steel cabinets cost less and offer more flexibility on custom sizes, making them a solid option for fixed installations or budget-conscious projects where weight isn’t a concern.
(7) Plan for maintenance from day one
Front-serviceable cabinets let technicians access and replace modules from the front — no need to dismantle the whole structure. For rental companies and touring productions, this alone can save hours per event. Check serviceability before you commit to a model.
Getting your screen size right before you order saves time, money, and a lot of on-site headaches. Use the formula below to work out the right dimensions for your venue.
The Basic Formula
Screen height = Viewing distance ÷ 6 to 10
Viewing distance is the gap between the screen and the last row of your audience. Divide that number by 6 for a more impactful, immersive feel — or by 10 for a clean, comfortable viewing experience across a larger space.
A Quick Example
If your venue is 40 meters deep:
Maximum height: 40 ÷ 6 = 6.6 meters
Minimum height: 40 ÷ 10 = 4 meters
For most stage setups, landing somewhere in the middle is the right call.
Then Lock In Your Width
Once you have the height, apply the 16:9 aspect ratio to get your width:
Screen width = Screen height × 1.78
A 5-meter-high screen gives you a width of roughly 8.9 meters — a solid backdrop for most mid-size concert or corporate stages.
Not Sure? Just Ask.
Every venue is different. Unusual room shapes, multiple screens, or curved configurations all affect the calculation. If you’d like a recommendation based on your specific setup, send us your venue dimensions and we’ll work it out for you.
For LED control system of LED screen for stage, there are some points for attention for you to take into account:
(1) High-loading capacity LED controllers
Generally speaking, LED stage screens are large in size and have high pixel density, which requires high loading capacity requirements for the sending card.
Sometimes multiple control cards need to be cascaded and spliced together for control.
(2) LED video processor may be required
To achieve better display effects, a LED video processor is usually needed to splice and cut videos, realize multi-window and picture-in-picture functions, and have strong scalability and finer, smoother video effects.
The maximum output resolution of the LED video processor is divided into multiple grades:
General: 1024X768,1280X1024,1440X900
HD: 1920X1080,2048X1152
Ultra-clear: 3840X1080,4096X1152,3840X2160,7680X1080
The maximum output resolution determines the capacity of the LED video processor.
(3) All-in-one LED processor
Some controller providers integrate LED controller with LED video processor, which can save energy and time to operate two separate equipment.
| Linsn Model | Loading capacity | Max resolution width/Height | Input | Output port(Ethernet port) |
| X100 | 1.3 Million | 1920/1080 | DVI*1,HDMI*1,CV*1,USB*1 | 2 |
| X200 | 2.3 Million | 1920/1080 | DVI*1,HDMI*1,CV*1,USB*1 | 4 |
| X2000 | 2.3 Million | 3840/1920 | DVI*1,HDMI*1,VGA*2,CV*1 | 4 |
| X8208 | 5.2 Million | 8192/4000 | DVI*1,HDMI4K*2,DP4K*1,VGA*1 | 8 |
| X8212 | 7.8 Million | 8192/4000 | DVI*1,HDMI4K*2,DP4K*1,VGA*1 | 12 |
Linsn All-in-one LED Processor
| Novastar Model | Loading capacity | Max resolution width/Height | Input | Output port(Ethernet port) |
| Novastar VX400s | 2.3 Million | 3840/1920 | DVI*1,HDMI*1,VGA*2,CVBS*2,SDI*1,YPbPr*1 | 4 |
| Novastar VX4S-N | 2.3 Million | 3840/1920 | DVI*1,HDMI*1,VGA*1,CVBS*1,DP*1,3G-SDI*1 | 4 |
| Novastar VX600 | 3.9 Million | 10240/8192 | DVI*1,HDMI*2,3G-SDI*1,OPT1*1 | 6 |
| Novastar VX1000 | 6.5 Million | 10240/8192 | DVI*2,HDMI*2,3G-SDI*1,OPT1*1 | 10 |
Novastar All-in-one LED video processor
Choosing the right installation method is just as important as choosing the right screen. The wrong setup affects sightlines, safety, and how long your crew spends on-site. Here are the most common options and when to use each one.
The simplest and most common method for stage events. Cabinets stack directly on a base frame on the floor, no rigging required. It’s fast to set up, easy to adjust, and works well for small to mid-size stages where ceiling height or rigging points aren’t available. Most rental companies default to this for one-off events.
The screen is suspended from a truss or rigging system above the stage. This frees up floor space, improves sightlines for large venues, and works well for arena concerts and festivals where the audience spreads wide. Requires professional rigging and load calculations before every install.
Cabinets are fixed directly onto a wall or a purpose-built frame — the standard choice for permanent or semi-permanent installations in conference centers, hotel ballrooms, and corporate venues. Once it’s up, it stays up.
Cabinets are angled to create a concave or convex curve. Concave curves wrap the audience in visuals and improve sightlines from the sides. Convex curves project outward for a bold, dramatic centerpiece effect. Most rental cabinets support both directions with adjustable connectors.
LED cabinets are modular, which means they’re not limited to flat rectangles. Screens can be arranged into L-shapes, asymmetric layouts, multi-panel configurations, or integrated into set designs. If the stage concept calls for something unconventional, the screen can usually be built to match.
Want to see how to install a stage LED screen? Watch our quick setup guide below.
Not sure which method suits your venue? Send us your stage dimensions and setup requirements — we’ll recommend the right approach before you commit to anything.
Not sure whether to rent or buy? Here’s a straightforward breakdown.
Rental | Purchase | |
Best for | Occasional events | Frequent events or permanent venues |
Upfront cost | Low | High |
Long-term cost | Adds up over time | Pays off after regular use |
Flexibility | Different size every event | Fixed spec |
Maintenance | Supplier handles it | Your responsibility |
Setup & logistics | Usually included | Your crew |
Storage | Not your problem | You need space |
The simple rule: If you’re using a stage LED screen more than 60 days a year, buying works out cheaper. Under that, renting usually wins.
Not sure which side you fall on? Tell us how many events you run and we’ll help you figure it out.
The most common question we get — and the hardest one to answer with a single number. Stage LED screen pricing depends on several factors, so here’s an honest breakdown of what drives the cost and what you can expect to pay.
What Affects the Price?
(1) Pixel pitch
A smaller pixel pitch means higher resolution and a higher price. For most stage applications where audiences are seated 4 meters or further away, P3.91 hits the sweet spot between image quality and cost. P2.5 and below is typically reserved for close-viewing scenarios like broadcast studios or small conference rooms.
(2) Screen size
Price scales with total square meters — more cabinets, more power supplies, more control hardware. A 20 sqm rental setup and a 100 sqm concert backdrop are very different investments.
(3) Cabinet material
Die-cast aluminum costs more upfront but saves money over time — lighter, more durable, and easier to service on the road. Steel cabinets are the practical choice for fixed installations where weight and portability aren’t a concern.
(4) Indoor vs. outdoor
Outdoor screens need higher brightness and weatherproofing. An outdoor P3.91 typically runs 30–40% more than its indoor equivalent.
(5) Control system
Sending cards, video processors, and cabling contribute to the total. For large or complex stage setups, the control system alone can add 20–30% to the panel cost.
Prices vary based on order volume, cabinet spec, and configuration. Contact us for an exact quote.
One Thing Worth Knowing
Panel cost is usually 60–70% of your total project budget. Control systems, structural framing, power distribution, and installation make up the rest — factor those in before you finalize your budget.
Ready for a real number? Send us your screen size, pixel pitch, and venue type and we’ll get back to you within 24 hours.
Buying a stage LED screen for the first time can feel overwhelming — specs, suppliers, shipping, customs. Here’s exactly how the process works with Linsn, from first contact to final installation.
🎬 See the Full Process in Action
Before diving in, watch this short video. It covers every step of ordering a stage LED screen from Linsn — from cost check to installation day.
| Step 1: Check summary cost & possibility |
| Step 2: Pay the deposit & place order |
| Step 3: Production monitor |
| Step 4: Pay the balance & arrange shipment |
| Step 5: Build structure |
| Step 6: Customs clearance & delivery from port to warehouse |
| Step 7: Test & installation |
| Pixel pitch | 1.953mm | 2.5mm | 2.604mm | 2.976mm | 3.91mm | 4.81mm |
|---|---|---|---|---|---|---|
| Pixels per cabinet | 256×256 (HxV) | 200×200 (HxV) | 192×192 (HxV) | 168×168 (HxV) | 128×128 (HxV) | 104×104 (HxV) |
| LED lifetime | 100,000h | |||||
| Brightness | ≥1000 nits; | |||||
| Module size | 250*250mm | |||||
| Module resolution | 128*128dots | 100*100dots | 96*96dots | 84*84dots | 64*64dots | 52*52dots |
| Refresh rate | 3840-7,680Hz | |||||
| Hor. viewing angle | 140° +/-5° (@50% brightness) | |||||
| Vert. viewing angle | 140° +/-5° (@50% brightness) | |||||
| Brightness uniformity | >98% | |||||
| Dimming | 0-100% | |||||
| Grey Level | 14 bits | |||||
| Avg Power consumption | 400 W/m² | 380 W/m² | 350 W/m² | 320 W/m² | 300 W/m² | 280 W/m² |
| Max Power consumption | 720 W/m² | 700 W/m² | 680 W/m² | 640 W/m² | 620 W/m² | 600 W/m² |
| Operation power voltage | 100-240V / 50-60Hz | |||||
| Operational temperature | -10°C to +40°C / 14°F to 104°F | |||||
| Operational humidity | 10-80% | |||||
| IP rating | IP54 for Indoor, IP65 for Outdoor | |||||
| Dimensions | 500 x 500 x 80 mm /500 x 1000 x 80 mm(WxHxD) | |||||
| Weight | 6kg(500 x 500mm cabinet)/ 11kg (500 x 1000mm cabinet) | |||||
| Serviceability | Front and back service | |||||
| Certifications | CE, UL, FCC class A, RoHS, WEE, REACH | |||||
| Warranty | 3 years standard product warranty | |||||
| Pixel pitch | 1.953mm | 2.604mm | 2.976mm | 3.91mm |
| Pixels per cabinet(500*500mm) | 256×256 (HxV) | 192×192 (HxV) | 168×168 (HxV) | 128×128 (HxV) |
| Pixels per cabinet(500*1000mm) | 256×512 (HxV) | 192×384 (HxV) | 168×336 (HxV) | 128×256 (HxV) |
| LED lifetime | 100,000h | |||
| Brightness | Indoor: 600-800nits | |||
| Module size | 250*250mm | |||
| Module resolution | 128*128dots | 96*96dots | 84*84dots | 64*64dots |
| Refresh rate | 3840-7,680Hz | |||
| Hor. viewing angle | 140° +/-5° (@50% brightness) | |||
| Vert. viewing angle | 140° +/-5° (@50% brightness) | |||
| Brightness uniformity | >98% | |||
| Dimming | 0-100% | |||
| Grey Level | 14 bits | |||
| Avg Power consumption | 200 W/m² | 200 W/m² | 225 W/m² | 225 W/m² |
| Max Power consumption | 400 W/m² | 400 W/m² | 450 W/m² | 450 W/m² |
| Operation power voltage | 100-240V/50-60Hz | |||
| Operational temperature | -10°C to +40°C/14°F to 104°F | |||
| Operational humidity | 10-80% | |||
| IP rating | IP50 for indoor, IP65 for outdoor | |||
| Dimensions | 500 x 500 x 80 mm/500 x 1000 x 80 mm (WxHxD) | |||
| Weight | 7.25kg (500 x 500mm cabinet)/12.5kg (500 x 1000 mm cabinet) | |||
| Serviceability | Frontal & rear service for indoor, rear service for outdoor. | |||
| Certifications | CE, UL, FCC class A, RoHS, WEE, REACH |
| Pixel pitch | 2.604mm | 2.976mm | 3.91mm | 4.81mm |
| Pixels per cabinet(500*500mm) | 192×192 (HxV) | 168×168 (HxV) | 128×128 (HxV) | 104×104 (HxV) |
| Pixels per cabinet(500*1000mm) | 192×384 (HxV) | 168×336 (HxV) | 128×256 (HxV) | 104×208 (HxV) |
| LED lifetime | 100,000h | |||
| Brightness | Outdoor: 4500-5000 nits | |||
| Module size | 250*250mm | |||
| Module resolution | 96*96dots | 84*84dots | 64*64dots | 52*52dots |
| Refresh rate | 3840-7,680Hz | |||
| Hor. viewing angle | 140° +/-5° (@50% brightness) | |||
| Vert. viewing angle | 140° +/-5° (@50% brightness) | |||
| Brightness uniformity | >98% | |||
| Dimming | 0-100% | |||
| Grey Level | 14 bits | |||
| Avg Power consumption | 320 W/m² | 320 W/m² | 320 W/m² | 320 W/m² |
| Max Power consumption | 640 W/m² | 640 W/m² | 640 W/m² | 640 W/m² |
| Operation power voltage | 100-240V/50-60Hz | |||
| Operational temperature | -10°C to +40°C/14°F to 104°F | |||
| Operational humidity | 10-80% | |||
| IP rating | IP50 for indoor, IP65 for outdoor | |||
| Dimensions | 500 x 500 x 80 mm/500 x 1000 x 80 mm (WxHxD) | |||
| Weight | 7.25kg (500 x 500mm cabinet)/12.5kg (500 x 1000mm cabinet) | |||
| Serviceability | Frontal & rear service for indoor, rear service for outdoor. | |||
| Certifications | CE, UL, FCC class A, RoHS, WEE, REACH |
For most stage events where the audience is seated 4 meters or further away, P3.91 is the sweet spot — sharp image, competitive price, and widely available for rental. Closer viewing distances like broadcast studios or small conference rooms call for P2.5 or below.
Take your viewing distance — the gap from the screen to the last row — and divide by 6 to 10. That gives you the screen height range. A 30-meter-deep venue needs a screen between 3 and 5 meters tall. Apply 16:9 for the width.
Indoor rental screens start around $350–$600 per sqm. Outdoor screens run higher — typically $500–$800 per sqm for P3.91. The screen itself is usually 60–70% of your total project cost. Factor in control systems, framing, and installation for the full number.
Yes — but make sure you’re buying an outdoor-rated screen. Outdoor panels are weatherproofed and run at higher brightness to stay visible in sunlight. An indoor screen outdoors will wash out and won’t survive rain.
A standard 20–30sqm ground-stacked setup takes an experienced crew 2–4 hours. Larger or more complex rigs — curved screens, hanging installations, multi-panel configurations — need more time and should be scheduled accordingly.
Remote technical support, replacement parts, and a 3-year warranty on hardware. If something goes wrong on show day, our team is reachable and responsive.
A stage LED screen isn’t just a piece of equipment — it’s what separates a forgettable event from one people talk about long after it’s over.
Whether you’re running concerts, corporate events, trade shows, or e-sports tournaments, the right LED screen for your stage makes every seat the best seat in the house. And with the right supplier behind you, the process from spec to installation doesn’t have to be complicated.
Linsn has been building stage LED screens for over 18 years. We know what works, what doesn’t, and how to get your project delivered on time and on budget.
Ready to get started? Send us your venue dimensions, tell us what you’re building, and we’ll have a quote back to you within 24 hours.
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